Meet the Conductor

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Meet MSYO Music Director Elisha Wells

Creating Magic in the Music Room

From discovering her own passion for music as a student to now creating a warm and supportive space for others, MSYO Music Director Elisha Wells’ approach goes beyond teaching the notes on the page. She fosters an environment where young musicians not only grow their musical skills but also gain important life lessons along the way.

MSO: How did music impact your life and what inspired you to be a music educator?

Elisha Wells (EW): Growing up, I was a church pianist at the age of nine. My mother drove me to church services, weddings, funerals, and other events until I could drive myself. As a teenager, I also sang in a country/rock/polka band while playing the piano and trumpet. We were called “Broken Promise” (not the best wedding band name…) and we traveled far and wide to play for weddings and parties. I also was the drum major of my high school marching band and sang in the church choir from ages five to 18. These rural Texas musical opportunities were wonderful and impactful, but I always knew there was more music to experience. So, while I didn’t have elite musical training in Texas, I strived for my personal best at everything and said “yes” to a variety of musical experiences that each shaped me to be the person I am today.

My life completely changed after hearing the sound of an orchestra and the inspiration for becoming a music educator came from a deep connection to “the magic in the room.” I never played in an orchestra until I was 18 years old and attending college. As a young child, I thought that I was going to be a concert pianist, but over the years, I began to play horn and fell in love with the experience of playing in orchestras. I knew that this was the music I’d been missing all my life. I realized how impactful my orchestra conductors were, so I studied and observed everything they did, hoping to be like them someday. My love for achieving my personal best as a performer is what inspired me to be a music educator. There is nothing better than encouraging young people to do their best, and seeing them reach and exceed their goals

MSO: What do you most enjoy about making music with an orchestra?

EW: I often think of a concert set from start to finish, like a large Rand McNally paper road map, the ones we all used before iMaps. I think of it as a journey, from the very first thought I have when thinking of repertoire, to the very first rehearsal, all the way to the last note of the performance. Sometimes the journey takes us through steep mountains and over bumpy roads. The most important time during that process is the journey, or the rehearsals. The concert is a gift, both to the audience and to the performers. I guess the answer to that question is: I enjoy every second that I’m able to make music with an orchestra. At the end of each concert, I feel as though we have all accomplished a great task together, and it’s the greatest feeling!

MSO: What is the value of music education and how does the MSYO impact our community?

EW: The Modesto area and regional cities offer a first-class music education experience in the school districts. We encourage and support MSYO students to participate in their school music programs, and we believe that MSYO is an enhancement to what they are already receiving in their school programs. When our school music programs succeed, we also succeed! Music education teaches the whole individual, not just academically or physically. An orchestra is a place where students learn self-discipline, how to multi-task like experts, how to be vulnerable and brave, how to care for others and be good citizens, and so much more. These students go out into society having finer social skills, critical thinking capabilities, and are able to function as productive members of any community.

When we hear a professional symphony play beautiful music, we enjoy listening, but most of us don’t think, “Wow, they must have worked so hard to sound that great!” When students play a successful performance, it’s all the more inspiring because they’ve worked to achieve that goal while learning their instruments and growing their musicianship, and that’s what makes it also 1,000 times more rewarding! Music education is desperately needed in our society. The appreciation and understanding of the arts, in general, produce humans that are more understanding, empathic, and compassionate toward others. We need that more than ever in the world!

“The concert is a gift, both to the audience and to the performers…

…I enjoy every second that I’m able to make music with an orchestra. At the end of each concert, I feel as though we have all accomplished a great task together, and it’s the greatest feeling!”

MSO: What do you hope students will take away from being in the MSYO?

I hope our students take so many things from their experiences with MSYO. A few of them are musical excellence, a deep love for music making, a sense of gratitude and appreciation for the gift of music making, and a sense of how important it is to nurture our music community, be good citizens, work hard, and be kind.


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Get to Know MSO's New Music Director Nicholas Hersh!

Get to know Nicholas Hersh!

We are so excited for Nicholas Hersh’s to join our Modesto community, and we can’t wait for you to meet him. We asked him to share a bit about himself from what instrument he plays to his favorite pizza topping. Keep reading to learn more about Nicholas!

If you weren’t a conductor/musician, what would you want to be?

Probably an astronomer—I’m fascinated by space and celestial bodies!

Star Wars or Star Trek? Lifelong Star Wars nerd, reporting in

What instrument do you play?

Cello.

What was the first concert you went to? The first I really remember is The Magic Flute at the Chicago Lyric Opera when I was about 6 or 7.

Besides music, what was your favorite subject in school?
My high school had a fantastic curriculum called Chem-Phys, where you took Chemistry and Physics jointly. I wasn’t great with the Chem, but absolutely loved the Phys!

Dogs or cats?
Love them all, but seeing as I have two cats at home...

Describe yourself in three words. Curious. Creative. Committed.

Do you have a secret talent?
Not too secret (see Instagram), but I make sourdough bread.

What is your favorite pizza topping?
Cheese, cheese and more cheese!

What would be the theme music to your life?
John Williams’ “Adventures on Earth” from E.T.: The Extra Terrestrial

Go to the beach, or go to the mountains?
First one, then the other! But I just went skiing for the first time, and I LOVED it.


Nicholas on joining the MSOA:

“I am beyond thrilled that my first music directorship will be in such a vibrant, music-loving city as Modesto. There was a certain electricity in the Gallo Center when the MSO musicians and I collaborated last year, shared not only onstage but with the audience as well; together we’ll grow that energy, creating bespoke artistic experiences for the entire Modesto community and cementing the role of music education for all ages as a driver of social good.

Orchestral music has endured, and I believe symphonies will continue to serve as a vehicle for great music. You have gathered onstage a group of virtuoso musicians working together toward a unified musical vision, and an audience gathered in the house to take it in. It’s a bit of an odd ritual—this mysterious congregation! But it’s the sense of community the orchestra creates, with every musician and concertgoer participating, that gives an orchestra concert its staying power: when the lights go down and the sound of some eighty acoustic instruments envelops you and those around you...well, there are few words to describe that sensation.”

Click to enlarge.

Click to enlarge.

Meet the Conductor: Akiko Fujimoto

March 4 & 5: Korngold & Dvorak

A Conversation with Akiko Fujimoto!

Having just had her San Francisco Symphony debut on February 17th, conductor Akiko Fujimoto will lead the MSO in March as they perform works by Walker, Korngold, and Dvorak. The MSO is very excited to invite Akiko Fujimoto to meet our audiences in here Modesto!


MSO: Can you tell us a bit about George Walker’s Lyric for Strings, and why you chose to program it into this concert?

Akiko Fujimoto: I thought the lush lyricism of this work would be a good match for the Dvorak, yet they were different enough from each other in the styles, time periods they were composed in and the instrumentation (the Walker is strings only) that they provided contrast. I also felt what they “hugged” the Korngold in the middle very well.

MSO: This is the first time the MSO will be performing a piece by George Walker and we’re excited to introduce his music to the community. Is diversity important to you when programming a concert?

George T. Walker, composer

AF: Of course! Every program needs contrast and diversity unless it is comprised of one long work. Each composition is unique in its language, background and characteristics, and the challenge is in grouping them together in a way that they create the best experience for the audience. I am thrilled to be able to introduce to the MSO audience this important American composer, performer and educator who straddled the 20th and 21st centuries. I think our worlds expand when we add a new composer to our repertoire of listening and performing. It is like meeting a new person – you are stimulated by what they bring to your life that is new and at the same time comforted by what you have in common as people. Some people compare this piece to Samuel Barger’s Adagio for Strings. If you love the Barber, perhaps you will have that experience when you “meet” the Walker.

I think our worlds expand when we add a new composer to our repertoire of listening and performing. It is like meeting a new person – you are stimulated by what they bring to your life that is new and at the same time comforted by what you have in common as people.

MSO: Korngold, best known for being one of the most influential founders of Hollywood film music, brings a sense of imagery and imagination to all of his work, especially his Violin Concerto. When you listen to this concerto, what sort of imagery plays in your mind?

AF: I see this piece as a great piece of absolute music (as opposed to “program music” which is meant to tell a story) because it is very classical in its structure, just masterfully crafted and extremely virtuosic. If Korngold’s music sounds visual and imaginative to us, that is absolutely because he was one of the forefathers of the Hollywood sound, so he was responsible for much of what we associate today with film music. In this concerto he did use themes from his own soundtracks to movies such as the Prince and the Pauper (1937), Juarez (1939) and Anthony Adverse (1936). They are incredibly evocative of all the actions we love in movies, especially romance and swash-buckling adventures.

MSO: You’ve recently worked with our guest artist, Charles Yang back in October 2021, what was that experience like and how excited are you to be working with him again for this concert?

AF: Charles Yang is simply a magician and the perfect person to play this concerto because he, like Korngold, can straddle different worlds and create something extraordinary out of them. I am extremely excited to work with Charles again.

MSO: Can you tell us a bit about Dvořák’s Symphony No. 8, and how it ties together with the Walker & Korngold?

AF: As I said earlier, I felt that the lush lyricism is a common denominator to these 3 pieces, yet they are all different. Dvorak’s 8th Symphony is a work that is very close to my heart. If his 9th Symphony “New World” is his American symphony, the 8th is his Bohemian symphony. He was from Bohemia, and this symphony is his ode to Bohemia, with references to sounds of its nature and dances, as he was a firm believer that a cornerstone of any culture’s music was that of its native folk music. This symphony also has all the hallmarks of great Czech repertoire: rhythmic energy, a little bit of exoticism, and a touch of melancholy and longing. It is probably one of the most exciting and lovable symphonies of all times, and I am excited to perform it with the MSO.

This symphony also has all the hallmarks of great Czech repertoire: rhythmic energy, a little bit of exoticism, and a touch of melancholy and longing.
— about Dvorak's Symphony No. 8

MSO: Congratulations on your debut with SF Symphony (conducting Price’s Symphony No. 3, Feb. 17-19), and you’ve conducted in Virginia, Minnesota, and now being the music director of Mid-Texas Symphony! What has your experience been like working with orchestras all over the country? Are there any cultural or regional differences that are amusing or interesting to you?

AF: Each orchestra absolutely is unique and reflects that region and the people in it. While all orchestras share in our love for the traditional symphonic repertoire, the way we present them is different depending on where we play, and who is playing in the orchestra, and who is listening in the audience. As a conductor, it is a fun challenge to try to be the best matchmaker possible between the vast symphonic repertoire and each organization.  Of course, I do not know Modesto or the MSO…yet. So, for this concert, I did my best by doing a search on what else was being played this season, which tells you quite a bit about an organization, and gave it my best stab, so to speak, keeping the Korngold in mind.

Akiko Fujimoto conducts the San Francisco Symphony in Florence Price’s Symphony No. 3. Photo: Stefan Cohen, SF Chronicle, Feb. 2022

MSO: You studied at Stanford University for your Bachelors, and now just performing with SF Symphony, what is it like being back in California? Do you have any fond memories of being in California?

AF: I just came back from the week in San Francisco and am so excited that I get to go back to Northern California so soon again. When I was a college student, I didn’t venture out of campus too much. As an adult, I am so much more curious and have a lot more appreciation for the characteristics of each different state and region, so I feel I am rediscovering it all over again. I have missed the openness of the Californians and feel very comfortable being back in the state.

MSO: Do you have any fun plans outside of work while being in Northern California? (Sights to see, places to you have to eat at, etc.)

AF: I did a lot of walking around the city last week and took in as much landscape, architecture, and cuisines I could, but I know there is so much more, and of course each corner of the region is very different. I look forward to visiting Modesto in a few weeks and getting to know it.

MSO: What upcoming performances/projects are you looking forward to in the near future?

AF: One of the projects I am looking forward to is conducting the world premiere of a new work by composer Tania Leon in my debut concerts with the Arkansas Symphony. As a bonus, I am very excited to conduct in my new home state – I now live about 40 minutes away from Little Rock, which will be the shortest commute by far this season!

MSO: Why do you believe the Symphony or live performances are still relevant and important to attend?

AF: Because the symphonic music offers the widest, broadest, and deepest range of expression for the human experience, and we need to share in that today, perhaps more than ever.


Meet Akiko in Modesto!

Come watch Akiko conduct your MSO this March 4th & 5th at the Gallo Center for the Arts!