Biographies — Modesto Symphony Orchestra

Our 2025-26 Season of Discovery is Here!

Bianca Ancheta

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Nicholas Hersh, Music Director

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American conductor Nicholas Hersh is Music Director of the Modesto Symphony, having been appointed in August 2023. Across the country, Nicholas has earned critical acclaim for his innovative programming and natural ability to connect with musicians and audiences alike, and he was the unanimous choice of the search committee in Modesto.

Hersh’s 2024-25 season includes guest conducting engagements with the Nashville, Madison, Omaha, and Tucson Symphony Orchestras; and the Florida and Apollo Orchestras. He continues to enjoy regular relationships with the NY Philharmonic, Baltimore, Houston, National, and Colorado Symphony Orchestras; and Budapest Festival Orchestra. 

Recent engagements include the Detroit, Grand Rapids, New World, North Carolina, Phoenix, Portland (ME), Richmond, Utah, and Winston-Salem Symphony Orchestras; Louisiana and Rochester Philharmonics; and the Sarasota Orchestra.

Over a remarkable tenure as Associate Conductor of the Baltimore Symphony Orchestra, Hersh created the BSO Pulse series, through which he brought together indie bands and orchestral musicians in unique collaborations; he led the BSO in several subscription weeks, and concerts in and around Baltimore; and he directed the BSO’s educational and family programming, including the celebrated Academy for adult amateur musicians. Hersh also maintains a close relationship with the National Symphony Orchestra, leading concerts throughout Washington, D.C. He stepped in to replace an indisposed Yan Pascal Tortelier, on subscription, to great acclaim. 

Hersh is frequently in demand as an arranger and orchestrator, with commissions from orchestras around the globe for adaptations of everything from classical solo and chamber music to popular songs. His orchestration of Beethoven’s Cello Sonata Op. 69 was premiered by the Philharmonie Zuidnederland in January 2022, while his symphonic arrangement of Queen’s Bohemian Rhapsody continues to see worldwide success as a viral YouTube hit. He also serves as arranger and editor for the James P. Johnson Orchestra Edition.

Hersh grew up in Evanston, Illinois and started his musical training as a cellist. He earned a Bachelor’s Degree in Music from Stanford University and a Master’s Degree in Conducting from the Indiana University Jacobs School of Music. Hersh is also a two-time recipient of the Solti Foundation Career Assistance Award. Nicholas lives in Philadelphia with his wife Caitlin and their two cats, and in his free time enjoys baking (and eating) sourdough bread.

Upcoming Performances

Daniel Bartholomew-Poyser, conductor

A passionate communicator, Canadian conductor Daniel Bartholomew-Poyser brings clarity and meaning to the concert hall, fostering deep connections between audiences and performers. Daniel is an innovative creative visionary, who believes that the beauty of music can heal and unite all of us beyond differences.

Mr. Bartholomew-Poyser holds the positions of Resident Conductor of Engagement and Education at the San Francisco Symphony, the Barrett Principal Education Conductor and Community Ambassador of the Toronto Symphony Orchestra and the Principal Youth Conductor and Creative Partner with the National Arts Centre Orchestra in Ottawa. Daniel is also the Artist in Residence and Community Ambassador of Symphony Nova Scotia, conducting Ballet and Pops with national and international artists and designing diverse and relevant family and outreach shows for the Halifax community. He is the host of the weekly, national Canadian Broadcasting Corporation radio show Centre Stage – with Daniel Bartholomew-Poyser.

Daniel has conducted with the Los Angeles Philharmonic, San Francisco Symphony, Detroit Symphony in the US and the Canadian Opera Company, the Toronto Symphony, Vancouver Symphony, Calgary Philharmonic, Hamilton Philharmonic, Edmonton Symphony, and Regina Symphony in Canada. He was a guest conductor with the Washington National Opera at the Kennedy Centre in 2020. Additionally, Daniel has served as the Assistant Conductor of the Kitchener-Waterloo Symphony and Associate Conductor of the Thunder Bay Symphony Orchestra. In April 2022, Daniel made his debut with Carnegie Hall’s Link Up Orchestra, conducting the world premiere of “Ram Tori Maya” by Indian American composer, Reena Esmail and “We Shall Not Be Moved” arranged by American vocalist and composer, Nathalie Joachim.

Mr. Bartholomew-Poyser was featured in the 2019 CBC documentary Disruptor Conductor directed by Sharon Lewis. Along with RuPaul’s Drag Race star Thorgy Thor, the documentary follows Bartholomew-Poyser as he collaboratively creates the first orchestral drag queen show in Canada, titled Thorgy and the Thorchestra. The award-winning documentary focuses on Bartholomew-Poyser’s concerts for the Neurodiverse, Prison, African Diaspora and LGBTQ2S+ populations.

Daniel holds a Bachelor of Music Performance and Education from the University of Calgary, and a Master of Philosophy in Performance from the Royal Northern College of Music in Manchester, England. Mr. Bartholomew-Poyser is a recipient of the Canada Council for the Arts Jean-Marie Beaudet Prize for Orchestral Conducting. He has been awarded RBC Royal Bank Emerging Artist Grant and the Canada Council for the Arts Jean Baudet Prize for Orchestral Conducting. Daniel is a member of the Ontario College of Teachers.

Upcoming Performances

Daniel R. Afonso Jr., Chorus Director

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Daniel R. Afonso Jr. has served as conductor of the Modesto Symphony Orchestra Chorus since its foundation in 2001 and has prepared several choral works with the ensemble. He is also Coordinator of Vocal and Choral Studies at California State University, Stanislaus. Afonso received a B.M.E. degree from the Universidade do Rio de Janeiro (UNI -Rio), a M.M. degree in Choral Conducting from the University of Missouri-Kansas City, and a D.M.A. degree in Choral Conducting and Pedagogy from the University of Iowa. Dr. Afonso is originally from Rio de Janeiro, Brazil and has studied conducting with Carlos Alberto Figueiredo, Cees Rotteveel, Eph Ehly, and William Hatcher.

Dr. Afonso has performed with choral groups in Brazil, U.S., and Europe, and has previously taught music at the Conservatório Brasileiro de Música, Universidade do Rio de Janeiro (UNI-Rio), and Doane College, Nebraska. In 1988, he won the first prize and the best performance of Villa-Lobos work award at the Concurso Villa-Lobos de Canto Coral, a national choral competition sponsored by the Museu de Arte Moderna do Rio de Janeiro. Dr. Afonso is strongly committed to the performance of new music and has commissioned and premiered many new choral works in the last few years, including several of his own works as well as works by young composition students.  He had his New York debut in 2012, conducting Mozart’s Requiem with members of the MSO Chorus and students from CSU Stanislaus at the Lincoln Center for the Performing Arts.

He is also a composer, arranger, and editor of choral music and has choral works published by earthsongs, Colla Voce, and Alliance Music Publications. He served as composer-in-residence with the San Francisco Choral Artists during their 2014-2015 season and has also written works for the Los Angeles Children’s Choir, the Gay Men’s Chorus of Los Angeles, and other ensembles in the US and abroad. He has written innumerous arrangements for the Modesto Symphony Orchestra, including a new version of The Star-Spangled Banner for chorus and orchestra, recently premiered at the opening concert for the 2015-16 concert season. Dr. Afonso is widely recognized for his research and performance of Brazilian choral music and continues to frequently present workshops and lectures about the Latin American choral repertoire.

Modesto Symphony Orchestra Chorus

About the Modesto Symphony Orchestra Chorus

Formed in 2001, the Modesto Symphony Chorus is a regional ensemble of singers of all ages and experience who share a commitment to performing concerts of the highest artistic quality and enhancing the appreciation and enjoyment of choral music among members and audiences alike. Under the skillful and inspiring direction of Dr. Daniel R. Afonso Jr., the MSO Chorus rehearses weekly and performs throughout the season with the Modesto Symphony Orchestra and also for additional community events.

See our Chorus perform live

Timothy Loo, cello

Timothy Loo, moved to Los Angeles in 1992 to study cello performance at California State University at Northridge and the University of Southern California.  Timothy is a member of the Lyris Quartet, founded in 2008.  This quartet is the resident ensemble at both Jacaranda and Hear Now Festivals and has been featured numerous times on the Los Angeles Philharmonic’s Green Umbrella and Noon 2 Midnight series at The Walt Disney Concert Hall.

In January 2018, Mr. Loo made his concerto debut with the Los Angeles Philharmonic at The Walt Disney Concert Hall performing the fiendishly difficult Concerto for Cello and Orchestra by Bernt Zimmermann, under the direction of conductor Susanna Mälkki.  

Timothy has also performed on over 1000 motion pictures, TV shows, albums, commercials, award shows, including yearly at the Academy Awards.

Timothy is also one of the foremost music contractors in Los Angeles.  Most recently he assembled the orchestra for composer John Williams for the scoring of Indiana Jones 5: The Dial of Destiny, ESPN College Football Playoffs, The Fablemans and Obi Wan Kenobi.  Mr. Loo is also the music contractor for James Newton Howard, Mike Post, Jeff Russo, Branford Marsalis, Disney’s Launchpad streaming series, The Gay Men’s Chorus of Los Angeles, just to name a few.

In 2019, Timothy and his husband Tommy Johnson purchased Sabron Payroll Services and act as CFO and CEO respectively.  Sabron is a leading payroll company in the entertainment industry that has built strong relationships with major production companies such as Disney, Netflix, MGM, Paramount, LucasFilm, and Apple.

This performance with the Modesto Symphony marks Timothy’s debut performing the John Williams’ Cello Concerto.

Upcoming Performances

Tony DeSare, guest artist

Tony DeSare performing with Ryan Murray & the MSO, Holiday Pops 2014

Tony DeSare performs with infectious joy, wry playfulness and robust musicality. Named Rising Star Male Vocalist in Downbeat magazine, DeSare has lived up to this distinction by winning critical and popular acclaim for his concert performances throughout North America and abroad. From jazz clubs to Carnegie Hall to Las Vegas and headlining major symphony orchestras, DeSare has brought his fresh take on old school class around the globe. DeSare has four top ten Billboard jazz albums under his belt and has been featured on the CBS Early Show, NPR, A Prairie Home Companion, the Today Show and his music has been posted by social media celebrity juggernaut, George Takei. DeSare has also collaborated with Youtube supergroup Postmodern Jukebox. He has been a featured guest artist with over 100 symphony orchestras with some highlights including the Cleveland Orchestra, The New York Pops, The San Francisco Symphony, The Houston Symphony, the Chicago Symphony.

Notwithstanding his critically acclaimed turns as a singer/pianist, DeSare is also an accomplished award-winning composer. He not only won first place in the USA Songwriting Contest, but has written the theme song for the motion picture, My Date With Drew, several broadcast commercials and has scored five films. His sound is romantic, swinging and sensual, but what sets DeSare apart is his ability to write original material that sounds fresh and contemporary, yet pays homage to the Great American Songbook.

Tony has a strong presence on social media and continues to release his "song diaries", recordings from his home studio that started in 2020 and now number in the 100's. Tony has numerous recordings available on all platforms and playlists.

Tony DeSare is a Yamaha Artist.

Upcoming Performances

Anne Akiko Meyers, violin

Anne Akiko Meyers, one of the world’s most esteemed musicians, is a GRAMMY® Award winning violinist, recognized as a muse and champion of many of today’s most important composers. Since her teens, Anne has performed around the world as soloist with leading orchestras, in recital and recorded more than 40 releases, which have become staples of classical music radio and streaming platforms.

Anne has been called “the Wonder Woman of commissioning” by The Strad and worked closely with some of the most important composers of the last half century, including Arvo Pärt (Estonian Lullaby), Einojuhani Rautavaara (Fantasia, his final complete work), John Corigliano (cadenzas for the Beethoven Violin Concerto; Lullaby for Natalie), Arturo Márquez (Fandango), Philip Glass (New Chaconne), Michael Daugherty (Blue Electra) Mason Bates and Adam Schoenberg (violin concertos), Billy Childs, Jakub Ciupiński, Jennifer Higdon, Morten Lauridsen, Wynton Marsalis,  Somei Satoh, Joseph Schwantner, and Eric Whitacre (The Pacific Has No Memory, Seal Lullaby) performing world premieres with the symphony orchestras of Chicago, Dallas, Los Angeles, Nashville, Pittsburgh, San Diego, Seattle, Washington, D.C., Helsinki, Hyogo, Leipzig, London, Lyon, and New Zealand.

Anne’s recording of Fandango, a live performance with Gustavo Dudamel and the LA Philharmonic, received two Latin GRAMMY® Awards: Best Classical Album and Best Contemporary Composition.  Fandango was premiered in 2021 at The Hollywood Bowl, and has been performed over 40 times with 16 different orchestras around the world since.

Fandango WP Gustavo Dudamel LA Phil, Hollywood Bowl Allen Murabayashi

Fandango World Premiere with Gustavo Dudamel and LA Philharmonic at the Hollywood Bowl (c) Allen Murabayashi

In the 2024-25 season, Anne will premiere Eric Whitacre’s, The Pacific Has No Memory, with the Orpheus Chamber Orchestra at Carnegie Hall and performs with the Cincinnati Symphony, Grant Park Music Festival, Sarasota Symphony, Orquesta Sinfónica de Minería, and Vancouver Symphony. Naxos will release Blue Electra, Michael Daugherty’s Violin Concerto inspired by Amelia Earhart, commissioned by Anne, and recorded with David Alan Miller and the Albany Symphony in April 25′. Platoon releases Beloved, a requiem by Billy Childs, alongside works by Ola Gjeilo and Eric Whitacre, with Grant Gershon and the Los Angeles Master Chorale in May 25′ for Mother’s Day and the Philip Glass Violin Concerto No. 1 with Gustavo Dudamel and the Los Angeles Philharmonic, New Chaconne, a new work written by Philip for Anne, and Echorus with Aubree Oliverson and the Colburn Academy Virtuosi, to be released for Father’s Day, June 25′.

The violinist’s first national television appearances were on The Tonight Show with Johnny Carson, at age 11, followed by performances that include Evening At Pops with John Williams, CBS Sunday Morning, Great Performances, Countdown with Keith Olbermann (in a segment that was the third most popular story of that year), The Emmy Awards, and The View. John Williams chose Anne to perform the theme from Schindler’s List for a Great Performances PBS telecast, and Arvo Pärt invited her to be his guest soloist at the opening ceremony concerts of his new center and concert hall in Estonia.

Krzysztof Penderecki selected Anne to perform the Beethoven Violin Concerto at the 40th Pablo Casals Festival with the Montreal Symphony, which was broadcast on A&E. Her recording of Somei Satoh’s Birds in Warped Time II was used by architect Michael Arad for his award-winning design submission, which today has become The World Trade Center Memorial in lower Manhattan.

Other career highlights include a performance of the Barber Violin Concerto at the Australian Bicentennial Concert for an audience of 750,000 in Sydney Harbour; performances for the Emperor and Empress Akihito of Japan; for Queen Máxima of the Netherlands, in a Museumplein Concert with the Royal Concertgebouw Orchestra; and “The Star-Spangled Banner” at T-Mobile Park in Seattle and Dodger Stadium. She was profiled on NPR’s Morning Edition with Linda Wertheimer and All Things Considered with Robert Siegel, and she curated “Living American” on Sirius XM Radio’s Symphony Hall.

Anne has been featured in commercials and advertising campaigns including Anne Klein, shot by legendary photographer Annie Leibovitz; Northwest Airlines; DDI Japan; and TDK; and was the inspiration for the main character’s career path in the novel The Engagements, by the popular author J. Courtney Sullivan. She collaborated with children’s book author and illustrator Kristine Papillon on Crumpet the Trumpet, appearing as the character Violetta the violinist, and featured in a documentary about legendary radio personality Jim Svejda. Anne has collaborated with a diverse array of artists including jazz icons Chris Botti and Wynton Marsalis; avant-garde musician Ryuichi Sakamoto; electronic music pioneer Isao Tomita;pop-era act Il Divo; and singer, Michael Bolton.

Anne was born in San Diego and grew up in Southern California, where she and her mother traveled eight hours, round trip, from the Mojave Desert to Pasadena for lessons with Alice and Eleonore Schoenfeld at the predecessor of the Colburn School of Performing Arts. Anne moved to New York at the age of 14 to study at The Juilliard School with the legendary violin instructor Dorothy DeLay, and with Masao Kawasaki and Felix Galimir; she signed with management at 16; and recorded her debut album of the Barber and Bruch Violin Concertos with the RPO at Abbey Road Studios at 18. She has received the Avery Fisher Career Grant, Distinguished Alumna Award, and an Honorary Doctorate from The Colburn School. She serves on the Board of Trustees of The Juilliard School, the Dudamel Foundation, was recently honored by the Orpheus Chamber Orchestra and inducted into the Asian Hall of Fame.

Anne performs on Larsen Strings with the Ex-Vieuxtemps Guarneri del Gesù, dated 1741, considered by many to be the finest-sounding violin in existence.

Upcoming Performances

Amaryn Olmeda, violin

Winner of first prize and the audience choice award at the 24th Annual Sphinx Competition, violinist Amaryn Olmeda is a rising star sought after for her bold and expressive performances as a soloist and collaborator. Violinist.com says of Olmeda, “…her commanding stage presence, infallible technique, and interpretive ability already rival that of international concert stage veterans.”

“...her commanding stage presence, infallible technique, and interpretive ability already rival that of international concert stage veterans.”
— Violinist.com

Highlights of 2024-2025 include season-opening concerts in debut with the Boulder Philharmonic and the Alabama Symphony, as well as debut performances with the Charlotte Symphony, Albany Symphony, Pacific Symphony, Omaha Symphony, and Sarasota Orchestra. Olmeda will also debut in recital at the Kravis Center’s Young Artists Classical Series in West Palm Beach, FL and the University of Florida Performing Arts in Gainesville, FL.

Olmeda made her Lincoln Center debut during the 2024 Summer for the City Series. She made her Carnegie Hall solo debut on the Sphinx Virtuosi tour at the age of 14, garnering rave reviews. At 13, Olmeda was named the initial member of the San Francisco Conservatory of Music and Opus 3 Artist’s Artist Apprentice Program.

Highlights of previous seasons include debuts as soloist with the Cleveland Orchestra, Houston Symphony, Philadelphia Orchestra, Seattle Symphony, Buffalo Philharmonic, and the San Francisco Chamber Orchestra at their New Year’s Concert Series, earning her a nomination for the San Francisco Classical Voice Audience Choice Awards. Olmeda also performed in recital at the Bouchaine Young Artist Series at Festival Napa Valley as well as at the National Arts Club in New York City.

In 2023, Olmeda made her recording debut as the featured soloist of Carlos Simon’s Between Worlds on the Sphinx Virtuosi’s inaugural recording with Deutsche Grammophon. The Strad Magazine said of Olmeda’s performance, “…it receives an impressive reading here by the young musician [and] she shows why she has garnered the word 'prodigy’.”

Other career highlights include selection as an NPR From the Top Fellow, receiving the National Arts Club’s Herman and Mary Neuman Music Award, being named a Young Artist Soloist by the Seattle Symphony, and being featured in a solo performance with the Sacramento Philharmonic and VITA Academy in the video production, The Extraordinary Life of Joseph Bologne, Chevalier de Saint-Georges. In 2022 Olmeda performed for the San Francisco Conservatory Gala with pianist Yuja Wang. She has performed for numerous school and community outreach events including with the Buffalo Philharmonic, Richmond Symphony, Auburn Symphony, and Oakland Symphony.

Born in Melbourne, Australia in 2008, Olmeda currently studies at the New England Conservatory of Music with Miriam Fried. She previously studied with Ian Swensen at the San Francisco Conservatory of Music. Amaryn Olmeda performs on a violin made by J.B. Vuillaume in 1864.

Upcoming Performances

Brody Dolyniuk, guest artist

Brody Dolyniuk is a multi-faceted, self-taught musician who began his professional music career playing in piano bars. A chance meeting with a pair of star-shaped sunglasses led to forming an Elton John tribute band Brody called Yellow Brick Road. Soon YBR began going outside the EJ catalog to perform other classic rock giants such as Led Zeppelin, Pink Floyd and more. 

Within a year, YBR was a steady working band in the Las Vegas music scene and had cultivated a large local following. YBR also became an in-demand choice for the corporate entertainment market.

After 14 years of solid work, Brody stepped down as front man for YBR to pursue other avenues, namely his role as a vocalist for Windborne Music’s touring symphony shows, singing the Music of Queen, and later The Who, Rolling Stones, U2 and Journey. Simultaneously Brody had been developing his own production called Symphonic Rockshow. 

Now residing in Southern California, Brody continues to tour, as well as produce shows via his company, Yellow Brick Road Entertainment.

Upcoming Performances

Laura Bream, narrator

A proud Central Valley native, Laura has called Modesto home for over 20 years. She holds a Bachelor’s degree in Music from Oregon State University and a Master’s degree in Vocal Performance from the University of Arizona. Her deep love for music and community has long been intertwined, particularly through her involvement with the Modesto Symphony Orchestra.

While singing with the Modesto Symphony Chorus for several years, she served as the Choral Librarian—a role that deepened her engagement with the Modesto Symphony Orchestra Association. Her dedication and leadership have since led her to serve on the Board of Directors, where she is currently the Vice Chair. She will assume the role of Chair beginning with the 2025–2026 season.

Outside of her musical and leadership endeavors, she enjoys life with her husband and is grateful to be part of such a vibrant and supportive community.

Upcoming Performances

Nikki Renée Daniels, guest artist

Nikki Renée Daniels recently starred in Once Upon a Mattress (Lady Larken), and in the Tony Award winning revival of Company (Jenny) on Broadway. She played Angelica Schuyler in Hamilton, at the CIBC Center in Chicago. Other Broadway credits include The Book of Mormon (Nabulungi), the 2012 Tony Award winning revival of The Gershwins' Porgy and Bess (Clara), Les Miserablés (Fantine), Nine, Aida, Little Shop of Horrors, The Look of Love, Promises, Promises, Anything Goes, and Lestat.

She made her New York City Opera debut as Clara in Porgy and Bess. Other New York credits include Martha Jefferson in 1776 at City Center Encores! and Eve/Mama Noah in the New York premiere of Children of Eden at David Geffen Hall at Lincoln Center.

Regionally, Nikki has been seen in Caroline, or Change (Emmie) at the Guthrie Theatre; Ray Charles Live! (Della B.) at Pasadena Playhouse; The Music Man (Marian) and Guys and Dolls (Sarah Brown) at Pittsburgh CLO; Anything Goes (Hope) at Williamstown Theatre Festival; Beauty and the Beast (Belle) at Sacramento Music Circus, and North Shore Music Theater; Ragtime (Sarah) at North Shore Music Theatre; Aida (Aida) and Joseph and the Amazing Technicolor Dreamcoat (Narrator) at ArtPark.  Her film and television credits include The Other Woman, “Chappelle's Show,” “Madam Secretary,” and “The Sound of Music: Live.”

Nikki has performed as a soloist with many symphony orchestras worldwide, including the Los Angeles Philharmonic, The Philadelphia Orchestra, The Toronto Symphony Orchestra, the North Czech Philharmonic, The Capetown Philharmonic, the Atlanta Symphony Orchestra, the Boston Pops, the Philly Pops, the New York Pops, Indianapolis Symphony, Cincinnati Symphony, Baltimore Symphony, Houston Symphony, Pittsburgh Symphony, and the San Francisco Symphony Orchestra.  She has also performed as a soloist at Carnegie Hall, and holds a BFA from the University of Cincinnati, College-Conservatory of Music. Her debut CD, Home, is available on iTunes. Follow her on social media at @nikkireneesings.

Upcoming Performances

Ashley Brown, vocalist

Ashley Brown originated the title role in “Mary Poppins” on Broadway for which she received Outer Critics, Drama League and Drama Desk nominations for Best Actress.  Ms. Brown also starred as Mary Poppins in the national tour of Mary Poppins where she garnered a 2010 Garland award for “Best Performance in a Musical”. Ms. Brown’s other Broadway credits include Belle in "The Beauty and The Beast", and she has starred in the national tour of Disney's "On The Record". Ashley recently returned to the Lyric Opera of Chicago to star in the role of Laurey in “Oklahoma”.   She previously played Magnolia opposite Nathan Gunn in Francesca Zembello’s “Showboat” at the Lyric Opera of Chicago.

Ashley has performed with virtually all of the top orchestras in North America including the Boston Pops, the New York Philharmonic, The Hollywood Bowl Orchestra at Disney Hall, The Pittsburgh Symphony, the New York Pops at Carnegie Hall (three times), Fort Worth Symphony, the Cincinnati Pops, Philadelphia Orchestra (two times), the Milwaukee Symphony, the Indianapolis Symphony (three times), Seattle Symphony, the Houston Symphony, Vancouver Symphony, and the Philly Pops. She has also performed with the BBC orchestra opposite Josh Groban.

Ashley made her solo concert debut at The Kennedy Center as part of Barbara Cook’s Spotlight Series, and has appeared in New York City at prestigious venues including Feinstein’s at the Regency and Birdland.  Other projects include a star turn at the La Jolla Playhouse in a production of “Limelight”,  “Sound of Music” at the St. Louis MUNY which garnered her a Kevin Kline award, and her own PBS special called “Ashley Brown: Call Me Irresponsible” which received a PBS Telly Award. Ms. Brown’s long awaited album of Broadway and American Songbook standards is available on Ghostlight/Sony. Ashley is a graduate of the Cincinnati Conservatory of Music.

Upcoming Performances

Orson Van Gay II, tenor

Operatic Tenor, Orson Van Gay II, possesses a unique voice that captivates the audience with his charisma and command of the stage for a singer of his generation. His performances showcase vocal talents that have brought him constant recognition in Southern California and across the United States.

Recent and Upcoming: In the 2019-20 season, he created the role of Raymond Santana in the world première of Anthony Davis’s Central Park Five (Pulitzer Winning Opera 2021) with Long Beach Opera and made his role debut as Rodolfo in La bohème with Pacific Opera Project. He was Nemorino with the Phoenicia Int. Festival of the Voice and sang the romantic lead of the Young Man in Last Romance with Kansas New Theater. Equally at home as a recitalist, Mr. Van Gay has appeared in the Portsmouth Community Concert, Inc. (VA), the Rio Hondo College and at Carnegie Hall in a recital with Wang Wei. This season included working with Maestro Conlon in a supporting role at LA Opera in their production of Il trovatore and with the LA Philharmonic in their preparation of Fidelio. He debuted as Danilo in Pocket Opera’s The Merry Widow, followed by his debut as The Athlete in the West Coast premiere of, I Can’t Breathe with Pacific Opera Project. He was Vitaliano in Long Beach Opera’s Guistino with James Darrah directing; and reprised his role in The Central Park Five with Long Beach Opera in 2022. He reprised the role of Alfredo in La traviata with Piedmont Opera. Mr. Van Gay is the proud recipient of 2022 inaugural Hurst Artist of the year award.

“Orson Van Gay II was an ardent Alfredo...his sound was fluent and his high notes golden.”
— Broadway World

Mr. Van Gay has sung extensively with the Los Angeles Opera in many venues including their “Connects”, “City of Hope” “IAMLA, series. He debuted the role of Bernard Curson in the world première of Figaro 90210 with the company and was Ramerrez in The Prospector in two different seasons. Other operatic roles include Alfredo (La traviata), Ben (The Night of the Living Dead) and the title roles of Candide and Orpheus.

He joined the Cal Philharmonic Orchestra in celebration of Leonard Bernstein’s 100th anniversary and Beethoven’s Symphony No. 9 as tenor soloist at Walt Disney Concert Hall. Reviewed by George van Wagner he stated, “beautifully sung and strongly acted...audience members were visibly moved.” He has sung the haunting role of Orlando in The Industry’s nationally acclaimed production of Hopscotch. In addition to performing in the romantic and Germanic languages of opera, Mr. Van Gay was selected to perform in Mandarin last season making his debut with SINO U.S. Performing Arts Organization as tenor soloist for their concert series with performances in Los Angeles and Phoenix, Arizona.

He premiered Golden; a composition based on the life of Polish composer, Igancy Paderewski by Nathan Wang in Los Angeles and sang the role of Prince in the world première of Ricky Ian Gordon’s Morning Star.

He holds a Bachelor of Science in Vocal Performance from Old Dominion University in Norfolk, Virginia and has been honored by the NATS organization in first place on several occasions.

As a native of southern California, Mr. Van Gay is also an actor in several nationally recognized television series. He has been featured in major television commercials and starred on a variety of shows for Netflix; including foreign film and television. He co- starred on the Disney series Coop & Cami Ask the World.

More on Orson Van Gay ll at: http://www.orsonvangay.com

Colors of a Lyric by Orson Van Gay II

releases May 14, 2023

“After performing for nearly two decades, I was often asked, "do you have a record available?" I often referred fans to my website or YouTube where they could find highlights from operatic performances. The pandemic gave me the time to reflect and curate some of my favorite arias. I wanted to give the world a sneak peak into the pieces that have helped shape and inspire my journey, as an artist. As a budding musician, I remember listening to the iconic opera singers and thinking, 'this is how I want to connect to humanity!" This has been a labor of love brought to fruition through years of performances. I hope you enjoy.”

Upcoming Performances

Kaley Ann Voorhees, vocalist

Kaley Ann Voorhees is most known for being the youngest person to play Christine in The Phantom of the Opera, where she made her Broadway debut. She went on to perform in Prince of Broadway, a musical centered around the life and works of legendary director and producer Hal Prince, in both the touring Japanese and Broadway productions. Kaley had the honor of returning to the role of Christine on the international tour of Phantom during their run in Taipei, while it was the only production in the world still performing during the pandemic. Other credits include Candide (New York City Center), and The Marvelous Mrs. Maisel (Amazon TV).

Upcoming Performances

Michael Cavanaugh, vocalist

Michael Cavanaugh at Picnic at the Pops, 2010

Michael Cavanaugh is the new voice of the American Rock & Roll Songbook and a charismatic performer and musician made famous for his piano/lead vocals in the Broadway musical Movin’ Out. Handpicked by Billy Joel to star in Movin’ Out, Cavanaugh evokes a style rivaling the Piano Man. He appeared in the show for three years with over 1,200 performances and received multiple accolades. The show culminated in 2003 with both Grammy and Tony award nominations.

Michael began playing at age seven, when his parents bought their first piano.  Encouraged by family and friends, and inspired by his hero Billy Joel, Michael formed his first band at age 10 and began playing local functions, fine-tuning the craft that would become his chosen career. His first full-time gig as a musician was an extended engagement in Orlando, Florida, at a piano bar called Blazing Pianos. In January of 1999, Michael received an offer that would unknowingly change his life: an opportunity to play Las Vegas at the famed New York, New York Hotel and Casino. It was there that Billy Joel spotted Michael and joined him on stage one fateful night of February 2001.  It only took two songs before Billy was convinced that he had found his new Piano Man: Michael Cavanaugh. Michael closed up shop at New York, New York and moved to New York City to work alongside Billy Joel and Twyla Tharp to shape the Broadway Musical that would be called Movin’ Out.  In the lead role, he received both Tony and Grammy nominations.

With the close of Movin’ Out at the end of 2005, Michael began touring in his own right, creating a show that reinterprets the modern pop/rock songbook. Michael soon became one of the hottest artists in the private events market, and he continues to perform worldwide for company and charity events as well as sporting events including many PGA tour events, the SuperBowl, and the Indy 500.  His interpretation of the modern rock/pop songbook led to Billboard calling him “The New Voice of the American Rock and Roll Songbook,” and he was recognized by Reuters as Entertainer of the Year for the private events market.

It wasn’t long before symphony orchestras discovered Michael’s talents and audience appeal. He accepted his first orchestral booking, “Michael Cavanaugh – The Songs of Billy Joel and More,” which debuted in April 2008 with the Indianapolis Symphony and continues to tour today.  In October 2008, he signed with Warner/ADA to distribute his first CD, In Color.  In June 2010, Michael debuted his second symphony show in the Generations of Rock series titled “Michael Cavanaugh: The Songs of Elton John and More” and then debuted his third symphony show, “Singers and Songwriters: the Music of Paul Simon, Neil Diamond and James Taylor,” in 2012.  In 2015, he debuted his fourth symphony show: “Rockin’ Christmas with the Pops.”  He continues to tour all four symphony productions along with performing with his band in performing arts centers and other public venues.

“The Way I Hear It”, his second commercial album, was released in April 2017, and it debuted at #17 on the Billboard Heatseekers chart.

In 2020, Michael Cavanaugh reached the POLLSTAR Live75.  The top 75 active touring acts in the country.

Upcoming Performances

Christopher Dragon, conductor

Australian conductor Christopher Dragon is the Music Director of the Wyoming Symphony Orchestra and Resident Conductor of the Colorado Symphony. He joined the Colorado Symphony in the 2015/2016 Season as Associate Conductor – a position he held for four years. For three years prior, Dragon held the position of Assistant Conductor with the West Australian Symphony Orchestra, which gave him the opportunity to work closely with Principal Conductor Asher Fisch.

Dragon has a versatile portfolio ranging from live-to-picture performances of Nightmare Before Christmas, Jurassic Park and Mary Poppins, a wide variety of collaborations with artists such as The Flaming Lips, Cynthia Erivo and Wynton Marsalis, to standard and contemporary orchestral repertoire such as Danny Elfman’s Violin Concerto, Eleven Eleven, all areas of which he has become highly sought after. Christopher has become known for his charisma, high energy and affinity for a good costume, consistently delivering unforgettable performances that has made him an audience favourite.

Recent season highlights include his subscription series debut with the San Diego Symphony, performances of Danny Elfman’s Music from the Films of Tim Burton with Danny Elfman reprising the role of Jack Skellington and the historic Colorado Symphony performances with the Wu-Tang Clan at Red Rocks and the Mission Ballroom. Dragon’s upcoming debuts include concerts with the San Francisco Symphony and the Utah Symphony.

Christopher works regularly in Australia and has guest conducted the Sydney, Melbourne, Adelaide and West Australian Symphony Orchestras. His 2015 debut performance at the Sydney Opera House with John Pyke and the Sydney Symphony Orchestra was released on album by ABC Music and won an ARIA the following year. Christopher’s other guest conducting includes Orquestra Sinfônica de Porto Alegre, Cincinnati Pops Orchestra, San Diego Symphony, Omaha Symphony, Rochester Philharmonic Orchestra, Singapore Symphony Orchestra and the New Zealand Symphony Orchestra.

He has also conducted at numerous festivals including the Breckenridge and Bangalow Music Festivals, with both resulting in immediate re-invitations. At the beginning of 2016 Dragon conducted Wynton Marsalis’ Swing Symphony as part of the Perth International Art Festival alongside Wynton Marsalis and the Jazz at Lincoln Center Orchestra.

Christopher began his conducting studies in 2011 and was a member of the prestigious Symphony Services International Conductor Development Program in Australia under the guidance of course director Christopher Seaman. He has also studied with numerous distinguished conductors including Leonid Grin, Paavo and Neeme Jarvi at the Jarvi Summer Festival, Fabio Luisi at the Pacific Music Festival and conducting pedagogue Jorma Panula.

Upcoming Performances

Gabriela Martinez, piano

Versatile, daring, and insightful, Venezuelan-born pianist Gabriela Martinez is establishing a reputation both nationally and internationally for the lyricism of her playing, her compelling interpretations, and her elegant stage presence.

Since making her orchestral debut at age 7, Ms. Martinez has played with such distinguished orchestras as the San Francisco, Chicago, Houston, New Jersey, Tucson, West Michigan, Pacific and Fort Worth symphonies; the Buffalo Philharmonic Orchestra; Germany’s Stuttgarter Philharmoniker, MDR Rundfunkorchester, Nürnberger Philharmoniker, and MDR Leipzig Radio Philharmonic Orchestra; Canada’s Victoria Symphony Orchestra; the Costa Rica National Symphony; and the Simón Bolívar Symphony Orchestra in Venezuela. In the past four seasons she has appeared with the Knoxville, Pacific, Richmond, Charlotte, Grand Rapids, Pasadena, Billings, Richardson, Springfield, Wichita, and Waco symphony orchestras; the Orlando, Boise, and Dayton philharmonics; the Chamber Orchestra of Philadelphia; the Atlantic Classical Orchestra; and the Symphony of Southeast Texas. Orchestral engagements in the 2021-22 season include the Omaha, Hartford, Texarkana, and San Antonio symphony orchestras.

She has performed with conductors Gustavo Dudamel, James Gaffigan, James Conlon, Marcelo Lehninger and Guillermo Figueroa, among many others, and at such esteemed venues as New York’s Carnegie Hall, Avery Fisher Hall, Merkin Hall, and Alice Tully Hall; the Broad Stage in Santa Monica; the El Paso Pro Musica and Kansas City Harriman-Jewell series; Canada’s Glenn Gould Studio; Salzburg’s Grosses Festspielhaus; Dresden’s Semperoper; Copenhagen’s Tivoli Gardens; and Paris’s Palace of Versailles. Her festival credits include the Mostly Mozart, Ravinia, and Rockport festivals in the United States; Italy’s Festival dei Due Mondi (Spoleto); Switzerland’s Verbier Festival; the Festival de Radio France et Montpellier; and Japan’s Tokyo International Music Festival.

Amplified Soul, her debut solo album released in 2016 by Delos Records, features a wide-ranging program including works by Beethoven, Rachmaninoff, and Szymanowski. The album also pays homage to acclaimed composers Mason Bates and Dan Visconti, whose title selection Amplified Soul (world premiere recording), was written for Ms. Martinez. She collaborated with Grammy Award-winning producer David Frost on the album. A music video of Visconti's Amplified Soul can be found on Ms. Martinez's YouTube Channel.

Her wide-ranging career includes world premieres of new music, live performance broadcasts, and interviews on TV and radio. Ms. Martinez’s performances have been featured on National Public Radio, CNN, PBS, 60 Minutes, ABC, From the Top, Radio France, WQXR and WNYC (New York), MDR Kultur and Deutsche Welle (Germany), NHK (Japan), RAI (Italy), and on numerous television and radio stations in Venezuela.

Ms. Martinez was the First Prize winner of the Anton G. Rubinstein International Piano Competition in Dresden, and a semifinalist at the 12th Van Cliburn International Piano Competition, where she also received the Jury Discretionary Award. She began her piano studies in Caracas with her mother, Alicia Gaggioni, and attended The Juilliard School, where she earned her Bachelor of Music and Master of Music degrees as a full scholarship student of Yoheved Kaplinsky. Ms. Martinez was a fellow of Carnegie Hall’s The Academy, and a member of Ensemble Connect (formerly known as Ensemble ACJW), while concurrently working on her doctoral studies with Marco Antonio de Almeida in Halle, Germany.

Read our exclusive interview with Gabriela!

Upcoming Performances

George Li, piano

Praised by The Washington Post for combining “staggering technical prowess, a sense of command, and depth of expression,” pianist George Li possesses  brilliant virtuosity and effortless grace far beyond his years. Since winning the Silver Medal at the 2015 International Tchaikovsky Competition and being named the recipient of the 2016 Avery Fisher Career Grant, Li has rapidly established a major international reputation as he performs regularly with some of the world’s leading orchestras and conductors, such as Gustavo Dudamel, James Gaffigan, Valery Gergiev, Gustavo Gimeno, Manfred Honeck, Andrés Orozco-Estrada, Kirill Petrenko, David Robertson, Leonard Slatkin, Yuri Temirkanov, Vladimir Spivakov, Michael Tilson Thomas, Long Yu, and Xian Zhang.

Highlights of the 2021–22 season include orchestral engagements with the Nashville, San Diego, New World, North Carolina, Pacific, and Valencia Symphonies, as well as the National Philharmonic Orchestra of Russia. In addition, Mr. Li will perform recitals presented by the Chicago Symphony, University of Washington in Seattle, The Cliburn Foundation in Ft. Worth, Emory University in Atlanta, and StuttgartKonzert in Germany.

Recent concerto highlights include performances with the Los Angeles, New York, London, Rotterdam, Oslo, St. Petersburg, and Buffalo Philharmonics; the San Francisco, Tokyo, Frankfurt Radio, Sydney, Montreal, Baltimore, Utah, and Pittsburgh Symphonies; as well as the Philharmonia, DSO Berlin, and Orchestra National de Lyon.  His eight-concert tour of Germany with the Moscow Philharmonic Orchestra included performances at the Berlin Philharmonie, Philharmonie am Gasteig Munich, and the Stuttgart Liederhalle. Mr. Li frequently appears with Valery Gergiev and the Mariinsky Orchestra, including performances at the Paris Philharmonie, Luxembourg Philharmonie, New York’s Brooklyn Academy of Music, Verbier Festival, Grafenegg Festival, and in various venues, such as the Mariinsky Concert Hall, and others throughout Russia. Li has also performed with major Chinese orchestras, such as the NCPA, China Philharmonia, and Shanghai and Guangzhou Symphony Orchestras, under the baton of Long Yu and Xian Zhang.

“A bracing, fearless account…Mr. Li’s playing combined youthful abandon with utter command.”
— New York Times

In recital, Li performs at venues including Carnegie Hall, Davies Hall in San Francisco, the Mariinsky Theatre, Elbphilharmonie, Munich’s Gasteig, the Louvre, Seoul Arts Center, Tokyo’s Asahi Hall and Musashino Hall, NCPA Beijing, Shanghai Poly Theater, and Amici della Musica Firenze, as well as appearances at major festivals including the Edinburgh International Festival, Verbier Festival, Ravinia Festival, Vail Festival, Seattle Music Festival, La Jolla Festival, Festival de Pâques in Aix-en-Provence Festival, Colmar Festival, and Montreux Festival.

An active chamber musician, Li has performed alongside Benjamin Beilman, Noah Bendix-Balgley, James Ehnes, Daniel Hope, Pinchas Zukerman, Amanda Forsythe,  Sheku Kanneh-Mason, Kian Soltani, Pablo Ferrandez, and Daniel Lozakovich.

George Li gave his first public performance at Boston’s Steinert Hall at the age of 10. In 2011, he performed for President Obama at the White House in an evening honoring German Chancellor Angela Merkel. Among George Li’s many prizes and awards, he was the First Prize winner of the 2010 Young Concert Artists International Auditions, the inaugural Thomas and Evon Cooper International Competition, and the Grand Prix Animato, as well as a recipient of the 2012 Gilmore Young Artist Award and the 2018 Arthur Waser Prize.

George is an exclusive Warner Classics recording artist. His debut album, “Live at Mariinsky,” which was recorded live at the Mariinsky Concert Hall, won an Opus Klassik award for Soloist Recording of the Year in 2018. His second recording for the label features Liszt solo works and Tchaikovsky’s Piano Concerto No. 1, which was recorded live with Vasily Petrenko and the London Philharmonic, and released in October 2019.

George began his piano studies at age 4 with Dorothy Shi, before continuing with Wha Kyung Byun at New England Conservatory beginning at age 12. In 2019, he completed the Harvard/New England Conservatory dual degree program, with a Bachelor’s degree in English Literature and a Master’s degree in Music. He is currently pursuing an Artist Diploma at the New England Conservatory. When not playing piano, George is an avid reader and photographer, as well as a sports fanatic.

Upcoming Performances

Andrew Grams, conductor

With a unique combination of intensity, enthusiasm and technical clarity, American conductor Andrew Grams has steadily built a reputation for his dynamic concerts, ability to connect with audiences, and long-term orchestra building. He’s the winner of 2015 Conductor of the Year from the Illinois Council of Orchestras and has led orchestras throughout the United States including the Chicago Symphony, Detroit Symphony, National Symphony Orchestra, St. Louis Symphony, Cincinnati Symphony, Baltimore Symphony, Philadelphia Orchestra, Dallas Symphony, and the Houston Symphony.

Andrew Grams became music director of the Elgin Symphony Orchestra after an international search in 2013 and recently concluded his tenure there after 8 seasons. His charismatic conducting and easy accessibility have made him a favorite of Elgin Symphony audiences.

A frequent traveler, Mr. Grams has worked extensively with orchestras abroad, including the symphony orchestras of Toronto, Montreal, and Vancouver, the Orchestre National de France, Hong Kong Philharmonic, BBC Symphony Orchestra London, the symphony orchestras of Sydney, Melbourne, and Adelaide, the New Zealand Symphony Orchestra, the Barcelona Symphony Orchestra, and Het Residentie Orchestra in The Hague, Netherlands. He has led multiple performances of New York City Ballet’s George Balanchine’s The Nutcracker® and the first performances of the new production of The Nutcracker for the Norwegian National Ballet in Olso.

Also an educator, Mr. Grams has worked with orchestras at institutions such as the Curtis Institute of Music, the Cleveland Institute of Music, Indiana University, Roosevelt University, the National Orchestral Institute at the University of Maryland, and the Amsterdam Conservatorium.

Born in Severn, Maryland, Mr. Grams began studying the violin when he was eight years old. In 1999 he received a Bachelor of Music in Violin Performance from The Juilliard School, and in 2003 he received a conducting degree from the Curtis Institute of Music where he studied with Otto-Werner Mueller. He was selected to spend the summer of 2003 studying with David Zinman, Murry Sidlin and Michael Stern at the American Academy of Conducting at Aspen and returned to that program again in 2004. Mr. Grams served as Assistant Conductor of The Cleveland Orchestra from 2004-2007 where he worked under the guidance of Franz Welser- Möst, and has since returned for several engagements.

As an accomplished violinist, Mr. Grams was a member of the New York City Ballet Orchestra from 1998-2004, serving as acting associate principal second violin in 2002 and 2004. Additionally, he has performed with ensembles including the Orpheus Chamber Orchestra, Orchestra of St. Luke’s, Brooklyn Philharmonic, and the New Jersey Symphony.

Upcoming Performances

Simone Porter, violin

Violinist Simone Porter has been recognized as an emerging artist of impassioned energy, interpretive integrity, and vibrant communication. In the past few years she has debuted with the New York Philharmonic, the Philadelphia Orchestra, the Los Angeles Philharmonic; and with a number of renowned conductors, including Stéphane Denève,

Gustavo Dudamel, Yannick Nézet-Séguin, Nicholas McGegan, Ludovic Morlot, and Donald Runnicles. Born in 1996, Simone made her professional solo debut at age 10 with the Seattle Symphony and her international debut with the Royal Philharmonic Orchestra in London at age 13. In March 2015, Simone was named a recipient of an Avery Fisher Career Grant.

Recent highlights include Mendelssohn with New Jersey Symphony, Brahms with Pacific Symphony and an extensive tour throughout the US including concerts with the Santa Rosa, Amarillo, Pasadena, Fairfax and Midland Symphonies; the Rochester, Westchester, Orlando and Great Bay Philharmonics; the Sarasota Orchestra and the Northwest Sinfonietta. With the cessation of live concerts Simone continued to record streamed events with Seattle, Pittsburgh, Charlotte and Greater Bridgeport Symphonies. Beginning with the Aspen festival where she is a frequent guest, in July 2021 she resumed a full season of orchestral and recital concerts to include Denver, North Carolina, St. Louis, Grand Rapids, Quebec, Sarasota, Bakersfield, Princeton and Monterey Symphonies and recitals including Boston where the program includes the world premiere of a commission from composer Reena Esmail.

At the invitation of Esa-Pekka Salonen, Simone performed his work ‘Lachen verlernt’ (‘Laughing Unlearnt’), at the New York Philharmonic’s “Foreign Bodies,” a multi-sensory celebration of the work of the composer and conductor. In recent seasons, she has also appeared at the Edinburgh Festival performing Barber under the direction of Stéphane Denève, and at the Mostly Mozart Festival performing Mozart under Louis Langrée. She has also performed with the Los Angeles Philharmonic at the Hollywood Bowl with both Nicholas McGegan and Ludovic Morlot, and at Walt Disney Concert Hall with Gustavo Dudamel.

Internationally, Simone has performed with the Simón Bolívar Symphony Orchestra with Gustavo Dudamel; the Orquestra Sinfônica Brasileira in Rio de Janeiro; the National Symphony Orchestra of Costa Rica; the City Chamber Orchestra of Hong Kong; the Royal Northern Sinfonia; the Milton Keynes City Orchestra in the United Kingdom; and the Opera de Marseilles.

Simone made her Carnegie Zankel Hall debut on the Emmy Award-winning TV show From the Top: Live from Carnegie Hall followed in November 2016 by her debut in Stern Auditorium. In June 2016, her featured performance of music from Schindler’s List with Maestro Gustavo Dudamel and members of the American Youth Symphony was broadcast nationally on the TNT Network as part of the American Film Institute’s Lifetime Achievement Award: A Tribute to John Williams.

Raised in Seattle, Washington, Simone studied with Margaret Pressley as a recipient of the Dorothy Richard Starling Scholarship, and was then admitted into the studio of the renowned pedagogue Robert Lipsett, with whom she studied at the Colburn Conservatory of Music in Los Angeles. Summer studies have included many years at the Aspen Music Festival, Indiana University's Summer String Academy, and the Schlern International Music Festival in Italy.

Simone Porter performs on a 1740 Carlo Bergonzi violin made in Cremona Italy on generous loan from The Master’s University, Santa Clarita, California.

Upcoming Performances

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